February 6, 2016

Thoughts on Diversity and Representation in Film, From Academy Awards and Etc

Posted in Judaism, Pop Culture at 2:58 pm by chavalah

An Eddie Redmayne movie that is unlikely to get an Oscar nom.  Well, more likely than "Jupiter Ascending." :P

An Eddie Redmayne movie that is unlikely to get an Oscar nom. Well, more likely than “Jupiter Ascending.” 😛

There’s this strange dichotomy in the Academy Awards. Although this year they are not celebrating the performances of racially diverse actors, they seem to have a penchant for other “minority” representations. LGBTQ issues are on their radar, as Cate Blanchett, Rooney Mara and Eddie Redmayne are all nominated for their work portraying characters on that spectrum.

Last year, perhaps disability issues were in the fore, with Redmayne taking home the Oscar for his portrayal of Stephen Hawking. Multiple issues arise—the issue of the actor/character correlation, for example. Should disabled actors be the only ones allowed to play disabled characters? Should gay characters only be helmed by gay actors? It’s a little bit of a chicken-and-egg question with which is more important—diverse themes or diverse actors. I tend to err more on the side of themes, because that’s what gets the point across to the audience, that these characters with varying experiences that you’re seeing played out across a narrative bear as much weight as the trials and tribulations of ye standard able-bodied, white, cis, Christian men. Maybe there’s no better example of this than the adaptation of David Mitchell’s Cloud Atlas, where white actors played Asian characters, Asian actors played white characters, and Hallie Berry played a German Jew from the 1930s. 😛

More to the point with Redmayne last year—why did he win the nomination, and later the award? The movie clip they chose to illuminate during the ceremony was troubling in that context, with Redmayne straining to pull himself up a staircase. This makes it seem like the Academy was applauding an able-bodied man for pretending that he couldn’t just move his legs and stand up. Look, I’m going to be in Eddie Redmayne’s corner until the end of his life, now that he’s taken on a role in a movie based in the Harry Potter universe. 😛 Speaking of bias. But pretending his legs don’t work because the character’s don’t doesn’t deserve special recognition. We might as well give most novelists awards for daring to dream up characters who don’t exist in real life.

So, what does deserve special recognition in the field of acting? I am not a student of acting, just a consumer of narrative in film and creative writing. To me, what counts is the actor’s ability to convince me that the character is a multi-faceted human being. What I liked in Eddie Redmayne’s portrayal of Stephen Hawking was how he started with his boyish devotion to his friends and academic work, his bewilderment-cum-stubbornness in confronting the limitations of his condition and the effect it has on his family, and his wry humor with regards to his growing celebrity. (Note: I’m not referring to the real Stephen Hawking, just Redmayne’s ability to inhabit a character who felt like he was a human being.)

Of course, there are plenty of actors who accomplish this feat, and I’m not sure I could choose between them. To be perfectly cynical about it, I’m not sure that’s what the Academy is after, either. I think they’re as biased and insular as the big wigs of any industry, and awardees are more based on networking than on merit. It’s a problem that goes back all the way to the beginning of the assembly line, which is why there are also fewer projects by Black/other racial minority producers, and about Black/other racial minority themes. The movie business probably needs a variation of #WeNeedDiverseBooks.

I’ve been bitter at “prestige” awards shows for awhile, lately because they refuse to consider that The Hunger Games franchise were actually expertly produced and about major themes of warfare, trauma and propaganda, rather than, like, shallow YA teenage girl feels *hair flip* So I’ve decided to out-snob the Academy. 😛 Because seriously, there is no art house movie that can approach the layers of complexity and emotional nuance of most literary novels on the market. All of this being said, I’m going to try and read Room by Emma Donoghue and Carol/The Price of Salt by Patricia Highsmith this month, and then compare them to their movies. I’ll bet anyone that the books are better. 😛

Another thing I’m doing, within the realm of movies this time, is paying more attention to film festivals. Particularly one—the Washington, DC Jewish Film Festival, which always revs up around the time of the Oscars. In years past I used to just take a cursory look and choose a film or two that was showing near me, but now I’m being much more thorough and want to buy tickets to LOADS. There’s Israel’s submission to this year’s Best Foreign Picture category for the Oscars–Baba Joon, about Jews of Iranian descent and spoken mostly in Farsi. There’s a whole section of films rated LGBTQ. Many films range across countries and time periods, not just depicted time periods, but dates of release.

And perhaps fortunately, Natalie Portman’s directorial/screenwriting debut of Amos Oz’s memoir, A Tale of Love and Darkness, is already sold out. :/ NOOOOOOOOO. The U.S. claims part of this film; it should be distributed more widely here! 😦 Wah.

I almost wish that all of these films were more similar, because the diversity kind of makes me want to see them AAAALLLL. My pocketbook points me in a more limited direction, alas. But expect a review of something or other on my blog, JewishDC. 😀



  1. […] despite what I wrote on Chava’s Footsteps recently, I wasn’t able to read any books and then get to their movie adaptations during the […]

  2. […] blind. Definitely didn’t have on my Potter fangirl glasses.😛 I knew for quite awhile that Eddie Redmayne would play Newt Scamander, and more recently I learned that the dark wizard, Gellert Grindelwald would be a concern. I’ve […]

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